Stephen is probably best known in the UK for his scores for Wicked and Godspell. Other shows for which he wrote music and lyrics and which have been seen in the UK include: Pippin; The Baker’s Wife; Children of Eden and Working. He co-wrote the English texts with Leonard Bernstein for Bernstein’s Mass. For films, he collaborated with Alan Menken on the songs for Disney’s Enchanted, as well as the animated features Pocahontas and The Hunchback of Notre Dame and wrote the songs for the DreamWorks animated feature The Prince of Egypt. Awards include: three Academy Awards, four Grammy Awards and the Isabelle Stevenson Tony Award. Mr. Schwartz has been given a star on the Hollywood Walk of Fame and inducted into the Theater Hall of Fame and the Songwriters Hall of Fame. Stephen is Artistic Director of the ASCAP Musical Theatre Workshops and serves on the Council of the Dramatists Guild. A book about his career, ‘Defying Gravity’, is published by Applause Books.

Philip has written numerous plays, television episodes and motion picture screenplays in Los Angeles and Europe. His screenwriting credits include: Disney’s Pocahontas and Mulan, and DreamWorks’ The Prince of Egypt and The Legend of El Dorado. For the past several years, Mr. LaZebnik has lived in Denmark, where he has written movies and television shows throughout Europe and the US. His produced movies include: The Lost Treasure of the Knights Templar series in Denmark and The Three Investigators and the Secret of Skeleton Island and The Three Investigators and the Secret of Terror Castle for Studio Hamburg, Germany; the Danish film Emma and Santa Claus; the English screenplay for the animated features Asterix and the Vikings and Asterix and the Domain of the Gods. He also wrote the TV mini-series Hindenburg in Germany, the Christmas TV series Ludvig and Santa Claus for TV2 in Denmark, and the book for Fairytale, a theatrical musical about Hans Christian Andersen with songs by Stephen Schwartz.

Scott is an internationally acclaimed director who lives in New York City. He directed the world premiere of The Prince of Egypt in a co-production between TheatreWorks Silicon Valley in the US and Fredericia Teater in Denmark. He directed the US premiere of Disney’s The Hunchback of Notre Dame, and then subsequently in Germany and Japan.  His work in London includes tick, tick… Boom! at the Menier Chocolate Factory, starring Neil Patrick Harris, and Golda’s Balcony at the Shaw Theatre. On Broadway, he directed Golda’s Balcony and co-directed Jane Eyre with John Caird. Off-Broadway work includes: Murder for Two; Bat Boy: The Musical (Lucille Lortel and Outer Critics Circle Awards, ‘Outstanding Off-Broadway Musical’; Drama Desk Award nomination, ‘Outstanding Director of a Musical’); tick, tick…BOOM! (Outer Critics Circle, ‘Outstanding Off Broadway Musical’; Drama Desk nomination, ‘Outstanding Director of a Musical’); The Foreigner starring Matthew Broderick; Rooms: A Rock Romance; Kafka’s The Castle (Outer Critics Circle nomination, Outstanding Director of a Play); Gigantic and No Way to Treat a Lady. He directed the world premiere of Séance on a Wet Afternoon at Opera Santa Barbara and then at New York City Opera.  Scott is the Artistic Director of Bay Street Theater in Sag Harbor, NY and a graduate of Harvard University.

Sean’s journey with The Prince of Egypt began at TheatreWorks Silicon Valley, Fredericia Theater in Denmark and Tuacahn Center for the Arts in Utah. He choreographed the re-imagined West Side Story for NYC’s Carnegie Hall and Daddy Cool The Musical for the West End, earning a WhatsOnStage Award nomination for ‘Best Choreography’. Starting his artistic journey as a figure skater, Sean’s love for dance took over. He studied at the Alvin Ailey School in NYC and landed his first job, at 17, in Michael Jackson’s ‘Bad’ music video. He choreographed for Vanessa Williams; Janet Jackson; Prince; Tina Turner; Whitney Houston; Queen Latifah and Britney Spears. Sean choreographed and acted in Whitney Houston's film The Bodyguard. He won 2 MTV Music Video Awards and choreographs for So You Think You Can Dance in the US, Canada and the UK, and was a presenter and judge on the UK show Dirty Dancing: Time of Your Life. Sean is Creative Director for the world’s most celebrated and prestigious Ice Show, Art On Ice. Being part of the outstanding The Prince of Egypt creative team is a dream come true.

Kevin has been designing stage, film and exhibitions from his home base of Chicago for the past fifteen years. His Chicago theatre credits include productions at Chicago Shakespeare Theatre; Steppenwolf Theatre Company; Goodman Theatre; Court Theatre; Writers Theatre; Drury Lane Oakbrook and Chicago Children’s Theatre. He was the associate designer for the Broadway productions of Of Mice and Men; August: Osage County and The Motherf**ker with the Hat. His many regional credits include productions at American Players Theatre; McCarter Theatre; Denver Center Theatre; Mark Taper Forum; Arden Theatre; Milwaukee Repertory Theater; Yale Repertory Theatre; The Public Theater; Brooklyn Academy of Music and Glimmerglass Opera. Kevin is currently designing the North American Tour of The Kings Speech and several touring exhibitions including The Hunger Games: The Exhibition and Jurassic World: The Exhibition.

Ann Hould-Ward has won, or been nominated for, virtually every major theatre award in existence, including the Tony, Drama Desk, Los Angeles Drama Critics Circle, American Theatre Wing, Outer Critics Circle and Olivier awards for her costume design. A Tony winner for Disney’s Beauty and the Beast and Tony nominee for the original Broadway productions of Into the Woods and Sunday in the Park with George, Ms. Hould-Ward’s stage credits also include countless Off-Broadway productions and designs for the most highly regarded regional theatres and the theatre-world’s finest producers and directors. International audiences applaud her work as well, as do audiences for film, television, concerts, dance and opera. Ms. Hould-Ward’s work has been seen in over 35 international companies of Beauty and the Beast, and her other designs are featured in shows all over the world. She also has more than 100 regional theatre credits. Ms. Hould-Ward is the recipient of the inaugural Patricia Zipprodt Award for ‘Innovative Costume Design’ and is a seasoned lecturer.

Mike is a New York City-based lighting and scenic designer and is excited to be making his West End debut. He designed the lighting for the world premiere of The Prince of Egypt at TheatreWorks Silicon Valley in California, and at Fredericia Teater in Denmark. Across the United States, Mike has most notably designed at the Bay Street Theater Laguna Playhouse; Rubicon Theatre Company (three-time LA Ovation Award nominee); TheatreWorks Silicon Valley; American Theater for Actors in NYC; Guild Hall; Quintessence Theatre Company; Abingdon Theatre; Connecticut Repertory Theatre and Dorset Theatre Festival. He has also designed the lighting for themed attractions at Busch Gardens Williamsburg. Mike holds a BFA degree from the University of Connecticut and is a proud member of United Scenic Artists Local USA829.

Gareth has won Olivier Awards for Come From Away, Memphis and Merrily We Roll Along and received nominations for Bat Out of Hell, Top Hat and End of the Rainbow. He received Tony Award nominations for A Little Night Music and End of the Rainbow and won the Outer Critics Circle Award for Come From Away and the Pro Sound Award for ‘Sound Engineer of the Year’. His current productions include: Come From Away and Diana on Broadway; Joseph and the Amazing Technicolor Dreamcoat; & Juliet; Come From Away and Mamma Mia! The Party in London; Disney’s The Little Mermaid and The Hunchback of Notre Dame; Summer: The Donna Summer Musical; A Bronx Tale; Starlight Express and Bat Out of Hell worldwide. Gareth has designed more than 280 musicals around the world.

Jon studied Cinematography at the National Film and Television School, Beaconsfield and Theatre Design at Croydon College of Art. West End designs include: The Exorcist; INK; Charlie and the Chocolate Factory (Olivier Award); Ghost The Musical (also Broadway, Drama Desk Award and Tony Award nomination); From Here to Eternity; The King’s Speech; The Wizard of Oz; Love Never Dies; Dirty Dancing; Our House; Up for Grabs and Dance of Death. Broadway designs include: INK; Finding Neverland and Chaplin The Musical (Drama Desk nomination). Designs for theatre include: Mark Thomas – Check Up: Our NHS at 70; Brief Encounter and, for the National Theatre, 3 Winters; King Lear; The Effect, People; The Last of the Haussmans; Travelling Light; Earthquakes in London; Nation; The Reporter and Small Island. Dance designs include: Alice’s Adventures in Wonderland for The New National Theatre in Tokyo, The Royal Ballet (Olivier nomination), Australian Ballet and Bayerische Staatsoper. Concert and Events designs include: The Phantom of the Opera at the Royal Albert Hall; Secret Cinema’s Blade Runner and Kate Bush’s Before the Dawn at the Hammersmith Apollo.

Chris Fisher most recently designed illusions for Company (West End) and Angels in America (National Theatre and on Broadway). As Illusions Associate: Harry Potter and the Cursed Child (worldwide), Pinocchio (National Theatre) and Charlie and the Chocolate Factory (West End).

August’s Broadway credits include orchestrations for Come From Away (Olivier Award, Grammy nomination) Bright Star (Tony Award nomination); Gigi, First Date; Hugh Jackman Back on Broadway (additional orchestrations); The Addams Family (dance arrangements, additional orchestrations); Memphis (dance arrangements); Million Dollar Quartet (Associate Music Supervisor); Ring of Fire (Associate MD); All Shook Up (MD) and Rent (Associate Conductor). Off-Broadway: Bar; Romantic Poetry; Walmartopia and Imperfect Chemistry. Other: A Christmas Story Live (Fox); Once Upon A Time (ABC); Disney’s Descendants (Andrew Lippa’s ‘Evil Like Me’); 2011 Billboard Music Awards; I Am Harvey Milk; Bull Durham and James and the Giant Peach.

Dominick served for over a decade as Associate Music Supervisor (US) of Stephen Schwartz’s musical Wicked, also conducting the show on Broadway, in Los Angeles, and across the USA on the First National Tour. Other credits include: First Date (Broadway; Music Supervision and Arrangements); Heathers (Off-Broadway; Music Director); Gigantic (Off-Broadway; Music Supervisor and Arrangements); The Blue Flower (Off-Broadway; Music Director); The Kid (Off-Broadway; Music Supervisor and Arrangements); Cabaret (US National Tour); Oliver! (US National Tour) and multiple regional engagements. Dominick develops new musicals around the US and is an active recording producer having collaborated with the likes of Dolly Parton, Stephen Schwartz, Marvin Hamlisch, Andrew Lippa, and Rupert Holmes. He is a Distinguished Artist in Residence at his alma mater, the University of North Carolina at Greensboro, where he is also the Coordinator of the Musical Theatre Department.

Dave was Musical Director for the 2016/17 International Tour of Stephen Schwartz’s Wicked and conducted its Chinese premiere in Shanghai. He returned to Wicked for its sell-out UK & Ireland Tour in 2018. He is Associate Musical Supervisor for the 2020 Australian premiere of Shrek The Musical. His other work as Musical Director includes: Shrek The Musical (UK & Ireland Tour); Ghost The Musical (UK & Ireland Tour); By Jeeves (Landor Theatre); Flashdance The Musical (world premiere 2008 and West End, 2010); Starlight Express (UK & Ireland Tour); Starlight Express (Bochum, Germany); Jesus Christ Superstar (UK & Ireland Tour) and Joseph and the Amazing Technicolor Dreamcoat (West End).

As Casting Director, Jim’s credits include: Wicked (Apollo Victoria Theatre); Pretty Woman: The Musical (West End); Captain Corelli’s Mandolin (Harold Pinter Theatre and UK Tour); Curtains (UK Tour); West Side Story (Royal Exchange Theatre, Manchester); Agatha Christie’s The Mirror Crack’d (Wales Millennium Centre and Wiltshire Creative); Rock of Ages (UK Tour); Eugenius! (The Other Palace); The Wedding Singer (UK Tour); DNA (Hull Truck); Yerma (Gate Theatre); Pericles Re-imagined (Regent’s Park Open Air Theatre) and Matilda The Musical (Original Casting Associate, RSC). As Associate Casting Director for Pippa Ailion Casting: Wicked (UK & Ireland Tour); The Wind in the Willows (London Palladium and UK Tour); Funny Girl (Savoy Theatre and UK Tour); Billy Elliot The Musical (Victoria Palace and UK Tour); Top Hat (Aldwych Theatre and UK Tour) and Guys & Dolls (Chichester Festival Theatre and West End).

Jeremy is thrilled to be working again with Scott Schwartz and the team to bring The Prince of Egypt to the West End. He is an alumnus of the Directors Lab West, a member of the SDC and the Artistic Director of The Barn Stage Company. Associate/Assistant Directing credits include Broadway: Bonnie & Clyde; International: The Prince of Egypt (Fredericia, Denmark); National Tour: Murder for Two; Xanadu. Regional: Disney’s The Hunchback of Notre Dame (Paper Mill Playhouse, La Jolla Playhouse); Rain; Into The Woods (Old Globe). Selected directing credits include International: Murder for Two (Calgary, Japan); Regional: Curious Incident (Farmers Alley); Hairspray; First Date (SDMT); Murder for Two: Christmas Edition (Bucks County Playhouse); Little Women; Peter and The Starcatcher (Barn Stage Company). Upcoming projects: Freaky Friday (Moonlight); Gloria (Busch Gardens).

Addy, who is making her West End debut, is a Canadian choreographer, dancer and producer now based in Los Angeles. Her theatre credits include: The Prince Of Egypt at TheaterWorks Silicon Valley, Tuachan Center for the Arts and the Fredericia Theater in Denmark. Choreographer credits include: Make it Pop (Nickelodeon); Full Out (Netflix), and music videos for Kelly Clarkson and The Weeknd. Dancer film credits include: Disney's Descendants franchise; Step Up: All In and Suicide Squad. She is a producer for the renowned urban dance company The Kinjaz and most recently wrapped producing and creative directing the feature film Full Out 2, which will premiere worldwide on Netflix in March 2020.

Simon became a technical director/production manager having previously worked as a Stage Manager for English National Opera and Scottish Opera. For twenty years he was co-owner of Crosbie Marlow Associates. He now runs MPM Ltd, which is an international company specialising in large scale musicals and West End plays. He has been privileged to technically supervise numerous international productions of shows such as Mamma Mia! and The Phantom of The Opera. Outside of West End theatre, he has technically managed many other projects including Kate Bush’s season at the Hammersmith Apollo (2014) and as consultant for Troubadours new theatres at White City and Wembley. Recent productions include: Bat Out of Hell (Canada, Germany, London) and the new musical & Juliet.

Lloyd trained at the Guildhall School of Music and Drama, before starting his career at the National Theatre and Young Vic Theatre. Productions include: 9 To 5 The Musical (UK Tour); Fleabag (Wyndham’s); Rusalka (English National Opera); Cyrano de Bergerac (Playhouse); Captain Corelli’s Mandolin (UK Tour and Pinter Theatre); Betrayal, Pinter at the Pinter season (Pinter); The Wild Duck (Almeida); Summer and Smoke (Duke of Yorks’s); The Jungle (Playhouse and St Ann’s Warehouse, New York); Nightfall (Bridge Theatre); Tina (Aldwych, Associate PM); Christmasaurus Live (Hammersmith Apollo); Project Polunin (London Coliseum); Lady from the Sea (Donmar); Shakespeare Trilogy (Donmar and St Ann’s Warehouse, New York); Oslo (Lyttelton and Pinter); Buried Child and The Spoils (Trafalgar Studios); Blue/Orange and Macbeth (Young Vic); Lela and Co (Royal Court); The Mentalists (Wyndham’s); Constellations (UK Tour); Neville’s Island (Duke of York’s); Charlie and the Chocolate Factory (Theatre Royal Drury Lane, Assistant PM).

DreamWorks Theatricals, a division of Universal Theatrical Group, was established to develop and produce live stage productions inspired by the studio’s acclaimed animated films, including Shrek The Musical, Madagascar Live! and The Prince of Egypt. UTG, the live theatre division of Universal Pictures, is currently represented by the musical phenomenon Wicked, which has been seen by 60 million people worldwide, making it one of the most successful theatrical ventures of all time. Universal’s critically acclaimed musical adaptation of Billy Elliot, which won four Olivier Awards and ten Tony Awards®, including Best Musical, concluded its 11-year run in the West End and continues to play worldwide. Recently, Universal produced the Broadway premiere of Irving Berlin’s Holiday Inn with Roundabout Theatre Company and the Tony Award®-nominated Broadway production of Bring It On: The Musical.

Michael McCabe is an independent, four-time Olivier Award-winning producer in the UK and Tony Award® nominated on Broadway. He has, since 2006, been represented in the UK by Wicked, as its Executive Producer. His additional West End producing credits include An American in Paris, Sweeney Todd, Million Dollar Quartet, Spring Awakening and, on Broadway, How To Succeed In Business Without Really Trying. He was also the original Marketing Director of Mamma Mia!.

Neil Laidlaw heads up Neil Laidlaw Productions, a theatrical producing and general management company. West End credits include Oslo, The Grinning Man, Annie, Long Day’s Journey Into Night, Show Boat, Gypsy and A Doll’s House. Other producing credits include Captain Corelli’s Mandolin (UK Tour), The Steamie (Scottish Tour), Canned Laughter (Scottish Tour), Annie (UK Tour) and Beautiful Thing (Sound Theatre, London).