Winner of eight Grammy Awards and numerous Billboard, American Music and MTV Music Video Awards, Tina Turner is internationally recognised as one of the most successful and influential female artists of the 21st century, and the global ‘Queen of Rock and Roll’. Born in Nutbush, Tennessee, Tina began her career in the mid-1950s alongside the infamous Ike Turner and the Kings of Rhythm – soon catapulting the band to stardom as lead singer of the reformed group, The Ike and Tina Turner Revue. Following a string of chart topping hits around the world, Tina’s well documented tumultuous relationship with Ike led her to finally leave the duo in 1976; allowing her to relaunch an international Rock and Roll solo career in the 80’s, parallel to no other. Alongside establishing herself as one of the most cutting-edge artists of her time, Tina also took on successful film roles, including appearing as the ‘Acid Queen’ in The Who’s musical Tommy, and starring alongside Mel Gibson as ‘Aunt Entity’ in Mad Max: Beyond Thunderdome. Tina was inducted into the ‘Rock and Roll Hall of Fame’ in 1991, awarded a star on the Hollywood Walk of Fame and has three singles (River Deep-Mountain High, Proud Mary and Simply The Best) inducted into the Grammy Hall of Fame. In 2005, she was celebrated as a prestigious Kennedy Centre Honors recipient, with Beyoncé, Oprah Winfrey, Robert Redford and then President George Bush amongst the many paying tribute. The late great David Bowie and rock legend Mick Jagger are also amongst her many notable co-performers and advocates. With a career spanning five decades, Tina holds the Guinness World Record for selling more concert tickets than any other solo performer in history, and has sold more than 200 million albums and singles worldwide to date, making her one of the biggest selling female artists in music history.  In 2008, Tina returned from semi-retirement to embark on her critically acclaimed Tina!: 50th Anniversary Tour, which went on to became one of the biggest selling shows of that year. An inspiration to masses across the world with her music and trailblazing career, she is still adored by fans globally and emulated by male and female contemporary pop and rock artists today.

Katori Hall is an Oliver Award-winning playwright from Memphis, Tennessee – named Artistic Director of the Hattiloo Theatre in Memphis. Her play The Mountaintop, premiering at Theatre503 in 2009, transferred to the West End in 2010 and won the Olivier Award for Best New Play. Following its West End run, the play opened on Broadway in October 2011 to critical acclaim. Katori’s other work includes the Award-winning Hurt Village which is currently in development as a feature film, Hoodoo Love, Remembrance, Saturday Night/Sunday Morning, WHADDABLOODCLOT!!!, Our Lady of Kibeho, The Blood Quilt, and Pussy Valley, which is being adapted into a TV series for US network STARZ. In addition to her Laurence Olivier Award, Katori’s other awards include a Susan Smith Blackburn Award, Lark Play Development Center Playwrights of New York (PONY) Fellowship, two Lecompte du Nouy Prizes from Lincoln Center, Fellowship of Southern Writers Bryan Family Award in Drama, NYFA Fellowship, the Columbia University John Jay Award for Distinguished Professional Achievement, National Black Theatre’s August Wilson Playwriting Award, and the Lorraine Hansberry Playwriting Award. Katori has also been published as a book reviewer, journalist, and essayist in publications such as The Boston Globe, The Guardian, Newsweek and The New York Times; she has also been a Kennedy Center Playwriting Fellow at the O’Neill, and is currently a resident playwright at The Signature Theatre in New York City. In 2016, her play Children of Killers was performed as part of the National Theatre’s Connections Festival. Katori is a proud member of the Ron Brown Scholar Program, and the Coca-Cola Scholar Program.

Frank Ketelaar and Kees Prins have enjoyed Award-winning success during their collaborations as playwrights. Together they wrote smash hit bio musical Hij Gelooft in Mij, based on legendary folk singer André Hazes, which received rave reviews and ran for over two and half years in Amsterdam’s prolific DeLaMar Theatre. The duo also adapted Tessa de Loo’s international bestseller, De Tweeling, which toured nationally. Together, the pair’s work also extends to film and television, collaborating on the Prix Europa and International Emmy Award-winning feature film De Uitverkorene, and TV series Bij ons in de Jordaan, documenting the life of much loved Dutch solo artist Johnny Jordaan. The series won two Golden Calf Awards at the annual Netherlands Film Festival. Individually, Kees Prins was previously a member of the international theatre group ‘Werkteater’, and has also written, starred-in and directed the successful Dutch TV Series, Jiskefet for VPRO. Kees is also currently involved in a number of soon to be announced theatre projects, set for production in the Netherlands over the next two years. During Frank Ketelaar’s early career, graduating from the Dutch Film Academy in screenwriting and directing, he wrote over ten feature films, including the critically acclaimed In Oranje. The film won over ten international awards, including two International Young Artists Awards in LA. Frank also penned the Award-winning Dutch TV series Overspel, which was subsequently picked up by US TV network ABC, re-released as Betrayal. In addition to his later wins, Frank has been further nominated for many other Golden Calf Awards at the Netherlands Film Festival, throughout his career.

Phyllida’s West End smash hit MAMMA MIA! ran on Broadway for 10 years and 18 years on, the show still runs on the West End today and has subsequently opened globally, having now been seen by over 56 million people across 40 countries. The success of the show also led Phyllida to direct the film version of the musical for Universal Pictures, starring Meryl Streep, Pierce Brosnan and Amanda Seyfried – which went on to receive a Golden Globe and BAFTA nomination. Most recently she directed the critically acclaimed 5 star, all female Shakespeare Trilogy: The Tempest, Julius Caesar and Henry IV (which was nominated for the Southbank Award) for the Donmar Warehouse – all of which were also seen in New York, where she has previously directed Taming of the Shrew, at the Public Theatre and Josephine and I at Joe’s Pub at The Public, a transfer from The Bush. Previously for the Donmar Warehouse Phyllida directed Mary Stuart – which transferred to the Apollo Theatre London and then Broadway – The Threepenny Opera and Boston Marriage. She directed Six Degrees of Separation, Hysteria and Wild East all for the Royal Court, The Rime of the Ancient Mariner with Fiona Shaw at the Old Vic Tunnels, Brooklyn Academy of Music and Epidavros, The Way of the World, Pericles, What the Butler Saw, The Prime of Miss Jean Brodie and The Duchess of Malfi all for the National Theatre, and Artists and Admirers and The Virtuoso for the Royal Shakespeare Company. Phyllida’s other film credits include the Oscar Award-winning The Iron Lady, starring Meryl Streep and Jim Broadbent, and Gloriana for the BBC. Phyllida has also directed many operatic productions including works for the Royal Opera House and English National Opera and Opera North.  Her work in opera has garnered an International Emmy, a FIPA d’Or and the Royal Philharmonic Society Award. In 2010, Phyllida was awarded a CBE for her services to drama.

Internationally-renowned choreographer Anthony van Laast was awarded an MBE for his services to dance and choreography in 1999, and most recently choreographed the live action Disney film remake of Beauty and the Beast, starring Emma Watson. Working all over the world across theatre, opera, concerts, television and film, Anthony has choreographed numerous musicals, including MAMMA MIA!, Joseph and the Amazing Technicolor Dreamcoat (for which he was nominated for an Olivier Award and a Drama League Award), Jesus Christ Superstar, Song and Dance (winner of a Green Room Award), Candide, Hair, Sister Act the Musical, Into the Woods and Bombay Dreams (nominated for a Tony® Award). Anthony’s work in opera has included The Mikado and The Merry Widow for The English National Opera, Cavalleria Rusticana and Pagliacci for The Berlin Opera and The Threepenny Opera for The Vienna State Opera. Anthony is also renowned for his work choreographing concerts for international music artists such as Mika, Sarah Brightman, Kate Bush and Barry Humphries (Dame Edna), including Las Vegas shows for Michael Crawford and Siegfried and Roy. Anthony choreographed the film remake of the Golden Globe nominated MAMMA MIA!, Excalibur, Joseph and the Amazing Technicolor Dreamcoat and Jesus Christ Superstar (Emmy Award winner). More recently Anthony choreographed dance scenes for J.K Rowlings’s Harry Potter and the Half-Blood Prince and Harry Potter and the Deathly Hallows – Part 1.

Mark is the winner of five Olivier Awards and two Critics’ Circle Awards, and has also been nominated for five Tony® Awards and a BAFTA. Most recently opening Charlie and the Chocolate Factory on Broadway, Mark was awarded the 2014 Olivier Award for Best Costume Design during the show’s premiere run on the West End. Mark has worked extensively for theatre across Broadway and the West End, where hits include MAMMA MIA! (worldwide), Joseph and the Amazing Technicolor Dreamcoat (worldwide), Doctor Dolittle (Hammersmith Apollo), Bombay Dreams (West End and Broadway), Art (worldwide), The Lady in the Van (West End and Broadway), God of Carnage (West End and Broadway) and Funny Girl (Chichester Festival Theatre). Mark’s work for the National Theatre includes One Man, Two Guvnors (also Theatre Royal, Haymarket, and Broadway), She Stoops to Conquer, England People Very Nice, What the Butler Saw, The Rose Tattoo, The Madness of George III, The Day the Earth Stood Still, The Alchemist, The Duchess of Malfi, Life x 3, Arcadia, Once in a Lifetime, Henry IV Parts I & II and The Wind in the Willows. For the Donmar Warehouse: The Blue Room (also Broadway), Company (also Albery), The Front Page and Uncle Vanya / Twelfth Night (costumes only). For the Royal Court: Tribes, Birthday, Mouth to Mouth, Hysteria, The Kitchen and Six Degrees of Separation. For the Almeida: Rope, Betrayal and Party Time. For the RSC: The Unexpected Man, Measure for Measure, Hamlet, The Wizard of Oz, Much Ado About Nothing and The Comedy of Errors. Mark’s work for Opera includes: The Mikado (West End), Macbeth and The Queen of Spades (Met), Peter Grimes (Opera North), Montag aus Licht (La Scala), Hansel and Gretel (Sydney Opera House) and Carmen (L’Opéra Comique, Paris). Mark also provided the costume design for the film The Madness of King George, starring Helen Mirren.

A fellow of the Royal Academy of Music, Nicholas is currently Music Director and Supervisor for Charlie and The Chocolate Factory at the Lunt-Fontanne Theateron Broadway. He is also Musical Supervisor on the revival of Stephen Sondheim’s acclaimed musical Follies, starring Imelda Staunton and Tracie Bennett, due to open at the National Theatre in September 2017. Nicholas’ other West End credits as Musical Supervisor and Musical Director include the Olivier Award-winning productions of Gypsy, Sweeney Todd, Hairspray and Billy Elliot the Musical, the Olivier Award-nominated West End premieres of Charlie and The Chocolate Factory and Sister Act the Musical. Other credits include MAMMA MIA!, Peepshow (Frantic Assembly and Lamb), and onstage with the late, great Victoria Wood in Victoria Wood – At It Again (Royal Albert Hall, UK tour and ITV). Nicholas has also worked with iconic music artist Kate Bush as Musical Director for her 2014 concert, Kate Bush: Before the Dawn, at the Hammersmith Apollo. As a composer, Nicholas’ musical Quand la Guerre Sera Finie premieres at the Avignon Festival in July 2017. Nicholas had a long-standing collaboration with performer and choreographer Nigel Charnock, co-founder of DV8 physical theatre. Together, their productions include: Asylum (Queen Elizabeth Hall), Affairs of the Heart (Helsinki Theatre Dance Company) and Hell Bent (international tour). As an orchestrator Nicholas’s credits include Travels With My Aunt by Stiles and Drewe, and re-orchestrations for Gypsy (West End). Nicholas is the co-author of the book “The Singing and Acting Handbook – Games and Exercises for the Performer” (published by Taylor & Francis).

Bruno is an internationally renowned lighting designer, working extensively across theatre, opera, dance and live music events. He has won two prestigious Knight of Illumination Awards, one for his lighting on the Sigur Ros 2012/13 World Tour and the other for Danny Boyle’s Frankenstein at the National Theatre, for which he also won the 2012 Olivier Award for Best Lighting Design. He has also designed the lighting for the current Sigur Ros World Tour, touring until the end of 2017. His forthcoming theatre credits include Julius Caesar at Nicholas Hytner’s new Bridge Theatre and St George and the Dragon at the National Theatre. Other theatre includes Miss Saigon on Broadway, in the West End and on UK tour; Light Shining in Buckinghamshire, London Road, Timon of Athens, Treasure Island, From Morning to Midnight, Every Good Boy Deserves Favour, Travelling Light, Season’s Greetings all at the National Theatre; Fortune’s Fool, Sweet Bird of Youth, Cause Célèbre, All About My Mother all at The Old Vic; From Here To Eternity in the West End; Faith Healer, Phaedra at the Donmar Warehouse; Chaplin at Music Hall Belgium; The Two Gentlemen Of Verona, Romeo and Juliet for the Royal Shakespeare Company; Dumb Show at the Royal Court; Carousel for Théâtre du Châtelet/Opera North; Oliver! at Leicester Curve Theatre and A Prayer for My Daughter at the Young Vic. Opera credits include Aida, Akhnaten (also LA Opera) and Carmen for English National Opera; Othello, Don Giovanni, The Rise and Fall of The City of Mahogonny at the Royal Opera House;Rinaldo at the Lyric Opera Chicago; Carmen on the lake at Bregenz Festival; Il Trovatore at the Macerata Festival; Das Liebesverbot for Madrid Teatro Real; Die Dreigroschenoper, Beatrice et Benedict at Teater an der Wein; Intimissi On Ice for Balich Worldwide/Verona Arena; Der Freischutz at the Royal Danish Opera; La Boheme for Washington National Opera; I Due Foscari for the Royal Opera House/LA Opera/Theater an der Wein. Bruno has also designed the lighting for 14 seasons at Garsington Opera.

A seasoned Broadway sound designer, Nevin provided the sound design for multiple Tony® Award-winning musical phenomenon Hamilton, receiving the Drama Desk Award and Lucile Lortel Award for his work on the original off-Broadway production at the Public Theater in 2014. Most recently, Nevins’s work on Broadway includes the 6-time Tony® Award-winning contemporary smash hit Dear Evan Hansen, Bandstand, Steve Martins Bright Star, It Should Have Been You and Terrance McNally’s Mothers And Sons. Nevin received a Tony® Award nomination for Best Sound Design for the revival of Rodgers & Hammerstein’s Cinderella (Broadway), and has also worked off-Broadway, where his work includes the world premiere of John Kander and Greg Pierce’s The Landing at The Vineyard Theatre, and Far From Heaven for Playwrights Horizons. Formerly, Nevin was a founding principal of the prolific sound design firm Acme Sound Partners, providing sound design services for dozens of Broadway shows, including Tony® Award winners: The Gershwins’ Porgy and Bess, Hair, Monty Python’s Spamalot, The Light In The Piazza, Avenue Q and La Bohème; earning him Tony® Award nominations for Best Sound Design in each of the first five years the award was given (for The Gershwins’ Porgy & Bess, Bengal Tiger at The Baghdad Zoo, Fences starring Viola Davis and Denzel Washington, Hair, and In The Heights). Also during his tenure, Acme received six Drama Desk Award nominations and won the Drama Desk Award four times, for Porgy and Bess, Bengal Tiger, Ragtime and La Bohème.  Nevin is the Audio Consultant for Carnegie Hall’s Isaac Stern Auditorium.

Ethan is a Grammy Award nominated music producer and Tony Award nominated orchestrator. With a career spanning over the last twenty years, his work as a music supervisor, arranger, orchestrator and music producer has been seen and heard worldwide. Since 2013, Ethan has served as the music supervisor, arranger and orchestrator for Broadway’s Motown The Musical, which earned him a 2013 Tony® Award nomination for Best Orchestration (along with co-orchestrator Bryan Crook), and can currently be seen at London’s Shaftesbury Theatre and on a U.S. National Tour. Motown also earned Ethan a 2014 Grammy Award nomination for Best Musical Theater Album (as music producer of the show’s Original Broadway Cast Recording, along with co-producer Frank Filipetti). He is currently serving as music supervisor, arranger and orchestrator for the 2008 Tony® Award nominated Best Musical, Rock Of Ages (Broadway, Toronto, U.S. Tour, Australia, London), for which he also co-produced the highly acclaimed Original Broadway Cast Recording. Ethan also serves as the music supervisor for the Broadway world premiere and 2016 Tony® Award nominated Best Musical School of Rock and for the Broadway premiere and 2015 Tony® Award-winning Best Musical Revival of Hedwig and the Angry Inch starring Neil Patrick Harris. Ethan has also served as the music director of the U.S. Tour of Forever Plaid, and as Associate Music Director of the Mexico City production of Radio City Music Hall’s Christmas Spectacular starring the Radio City Rockettes. While living in Europe from 2001 through 2005, Ethan conducted the German premiere of MAMMA MIA!, Disney’s Aida, and Queen’s We Will Rock You. On television, Ethan’s has served as a music producer, arranger and orchestrator on NBC/Universal’s Smash and HBO’s Last Week Tonight With John Oliver. Ethan’s upcoming work includes serving as Music Producer, Music Supervisor, Arranger and Orchestrator for the musical stage adaptation of the 1990’s classic film Clueless, as well as serving as Music Director and Music Production Supervisor for the upcoming 20th Century Fox film, The Greatest Showman on Earth starring Hugh Jackman.

Select theatre credits include Broadway: Charlie and the Chocolate Factory, Sweat, Macbeth (Lincoln Center Theater), Bring It On, 33 Variations. Off-Broadway: The Layover, The Fortress of Solitude, An Octoroon, Tribes, The Slug Bearers of Kayrol Island…. Regional credits include work at Steppenwolf, The Old Globe, Mark Taper Forum, Oregon Shakespeare Festival, and Arena Stage. Music: Anthracite Fields (Julia Wolfe’s Pulitzer Prize-winning composition), Prince’s final appearance on “Saturday Night Live.” Awards: Lucille Lortel Award, Obie Award, Bessie Award and two Henry Hewes Design Awards.

Pippa Ailion has cast over 175 productions internationally. She was Resident Associate Director casting three seasons of European Classics for Jonathan Miller at The Old Vic between 1987 and 1991. Current West End/Tour: Dreamgirls, Motown, The Book Of Mormon, Wicked (& International tour), The Lion King. Recent West End/other: Wind in the Willows – the Musical & UK Tour, Funny Girl – UK Tour, Sunny Afternoon – West End & UK Tour, One Love: The Bob Marley Musical (Birmingham Rep), Billy Elliot& UK Tour, Gutted (Marlowe Canterbury), Charlie And The Chocolate Factory, The Last Five Years (St James’), The Go Between, West Side Story (BBC documentary), Bend It Like Beckham, Memphis, Top Hat & UK Tour, Kate Bush – Before the Dawn, The Rise and Fall of Little Voice (WYP/Birmingham Rep), Here Lies Love (NT), We Will Rock You & UK Tour, From Here To Eternity, American Psycho(Almeida),  Oh! What a Lovely War (Stratford East & UK Tour), Legally Blonde, Fela (NT, Broadway & US Tour), The Fairy Queen (Glyndebourne, Paris, New York), Million Dollar Quartet, Waiting for Godot, Decade, Spring Awakening, Marguerite, The Drowsy Chaperone, Blue Man Group (worldwide). For Chichester and West End: Guys and Dolls, Gypsy, The Pajama Game, Sweeney Todd, Kiss Me Kate, Love Story, Misalliance, The Magistrate. Suzanna Andler. For Regent’s Park: Porgy and Bess, The Sound of Music, Ragtime, A Midsummer Night’s Dream, Into The Woods, Lord of the Flies & UK Tour, The Importance of Being Earnest. Future: Tiger Bay – Millennium Centre Wales, Teddy –  UK Tour, My Fair Lady – Teatro San Carlo Naples. Associate Casting Directors: Natalie Gallacher, Jim Arnold Casting Assistant: Felicity French

Founded in 1998 by Dutch television and theatre entrepreneur Joop van den Ende, Stage Entertainment is one of the world’s largest theatre producers and owners. The company has earned a reputation as a first-class theatrical production company focusing on Europe. With offices in the United Kingdom, Netherlands, Germany, Spain, Russia, France, Italy and the United States, the group produces some of the best-known titles in musical theatre, including Disney’s The Lion King, MAMMA MIA!, and Phantom of The Opera; counts 20 theatres across Europe in its stable; and creates original content in-house. Stage Entertainment employs more than 3,000 people worldwide, and over 7 million visitors attend a Stage Entertainment production every year. Today the brand is widely known for the exceptional quality of its shows and the warm hospitality extended to its audiences.

Founder of Stage Entertainment in 1998, Joop started his career at aged 15 as a trainee set carpenter for the Dutch National Opera. He subsequently went on to open his first independent theatrical agency, Spotlight, and over the next 15 years established himself as one of the country’s leading theatrical and television impresarios. In 1988, the musical Barnum premiered in the Scheveningen Circustheater, starting a revolutionary musical tradition in the Netherlands, that continues to this day. In 1993, Joop announced the creation of TV giant Endemol, which went on to become one of the largest and most successful independent commercial television production companies in the world. During this time, Stage Entertainment continued to rapidly grow globally and has received many notable awards for its licensed and original productions, with Joop as co-producer on many of its titles. Awards and nominations include: eleven Tony® nominations accumulatively for Titanic, 42nd Street, Into the Woods, and Urinetown, and a Tony® Award, Outer Critics Circle Award, and two Drama Desk Award wins for original musical Rocky, co-produced with Sylvester Stallone. Other notable original productions during Joop’s tenure include: For Stage Germany – Ich war noch niemals in New York, Der Schuh des Manitu, Ich will Spass!; For Stage Netherlands – 3 Musketeers, Ciske, Petticoat, Hij Gelooft in Mij, and for Stage UK – Made In Dagenham, nominated for two Olivier Awards. In 2011, original musical Sister Act, a co-production with Whoopi Goldberg, made its world premiere on the West End, where it was nominated for four Olivier Awards, and then transferred to Broadway, where it was nominated for a further five Tony® Awards and five Drama Desk Awards. The show subsequently became a global smash hit, transferring globally to Hamburg, Berlin, Oberhausen, Stuttgart, Montreal, Vienna, Milan, Paris, Barcelona, Madrid, Korea, Brazil, Tokyo, the Netherlands and Singapore. Today, Joop is co-chairman and a member of the Stage Entertainment advisory board, as well as still being actively involved as a senior producer.

Tali is Group Creative Director for Stage Entertainment, which she joined in 2014 following a decade of producing in the West End and on Broadway. In her role and as part of the senior content management team, she is responsible for strategic new content creation globally across the Stage Entertainment group. TINA is among the first titles commissioned and produced as part of a new group-wide original content slate. Previously, Tali produced both independently and for the Ambassador Theatre Group. Select productions include: the acclaimed West End production of Martin Crimp’s The Misanthrope directed by Thea Sharrock starring Damian Lewis and Keira Knightley in her theatre debut; Olivier Award-winner for Best New Play The Mountaintop by Katori Hall, directed by Kenny Leon and starring Samuel L. Jackson and Angela Bassett in its Broadway transfer; the critically acclaimed West End revival of Passion Play by Peter Nichols directed by David Leveaux and starring Zoe Wanamaker; the West End premiere of Neil LaBute’s Fat Pig; Riflemind by Andrew Upton directed by the late Philip Seymour Hoffman; the Broadway production of Ionesco’s Exit the King directed by Neil Armfield starring Geoffrey Rush, Susan Sarandon and Lauren Ambrose; Rent directed by Will Baker (West End), and new adaptations of Hair and Woyzeck directed by Daniel Kramer (Gate/St Ann’s Warehouse). Between 2003 and 2006, Tali was Executive Director of the Gate Theatre. Tali is a graduate of Columbia University, was a Kohn Fellow at the London School of Economics, and received her Executive MBA from the London Business School, where she was awarded the Celia Atkin Scholarship. She is currently a board member of the Stage One Council.

Mark Rubinstein Ltd has produced and managed over 50 productions in the West End, on tour and internationally. Current projects include: Beautiful: The Carole King Musical (UK Tour), La Soiree (ninth Christmas season in London and currently on a ten-year rolling International Tour – 2015 Olivier Award: Best Entertainment). For Elliott Harper Productions: Heisenberg: The Uncertainty Principle (Wyndham’s Theatre), Company (Gielgud). Recent projects include: Beautiful: The Carole King Musical (Aldwych), Billy Elliot: The Musical (UK and Ireland Tour), The Miser (Garrick Theatre), The Dresser (Duke of York’s Theatre), Close to You: Bacharach Reimagined (Criterion Theatre), Jeeves and Wooster in Perfect Nonsense (Duke of York’s Theatre and UK and India Tours), Once the Musical (Phoenix Theatre and Korea). Other projects have included School of Rock (pre-production), War Horse (UK, Ireland and South Africa tour), A Doll’s House (Duke of York’s Theatre and BAM, New York), Butley (Brighton Festival and Duchess Theatre), Punchdrunk’s The Drowned Man (Temple Studios, Paddington), the West End transfers of the National Theatre’s The Curious Incident of the Dog in the Night-time and Untold Stories, the European tour of Fela! (Holland Festival and Sadler’s Wells Theatre) and the South African Isango Portobello Company’s productions of The Magic Flute – Impempe Yomlingo (Duke of York’s Theatre and International Tours) and The Mysteries – Yiimimangaliso (Garrick Theatre). Mark Rubinstein Ltd has provided consultancy services to the National Theatre, the Royal Opera House, the Young Vic Theatre, Punchdrunk and the Criterion Theatre.